Piano Vetrale di Orria, between murals and nature in wonderful Cilento

Piano Vetrale di Orria is a small village near Salerno. It is a typical village of the Cilento hinterland, cozy and hospitable, inhabited by just over 250 people. Its urban structure remains unchanged, stuck in the past, characterized by a network of countless and sometimes inaccessible alleys, all connected by extended arches. All the narrow streets have cobblestone pavement, which reveals the ancient origins of this jewel in Cilento. Among the historical testimonies of Piano Vetrale, it is worth visiting the ancient Church of Sant'Elia Profeta.

The only means of transport to reach Piano Vetrale di Orria is by car. Below, here are the main roads to take to get there:

- SP 56/a, junction to SS 18 Ostigliano-Perito-Orria

- SP 56/b Orria-Piano Vetrale, junction to SP 47

- SP 47, junction to SR 488 (Stio)-SP 56 (Orria)-SP 370-SP 80 (Cardile), junction to SR 488 (Moio)

- SP 150, junction to SP 56 Piano Vetrale.

- SP 264, junction to SS 18 (Omignano)-Bridge over the Fiumara-Orria, junction to SP 56

The whole area, however, is dotted with small villages and natural wonders that will leave you speachless. A good starting point for visiting this awesome corner of Italy is the welcoming B&B L'Aura, located inside an elegant historic building in the hamlet of Stio, just a few kilometers from Piano Vetrale.

At the end of the 1970s, the Sicilian artist Pino Crisanti had an intuition: adorn Piano Vetrale walls, facades and doors with pictorial representations of daily life chronicles. In particular, it was decided to embellish the village with Murals. If you love street art, you can explore the topic checking out the most evocative Italian villages of murals.

Crisanti’s suggestion was welcomed enthusiastically by the Cultural Association Paolo de Matteis, dedicated to a famous fellow countryman artist commemorating his creative flair. The citizens have always been very attached to the figure of the great master born here in 1662, so much so that they commemorated it by painting his face in a black and white mural.

From the end of the 1970s to the present day, Piano Vetrale di Orria has been embellished with an increasing number of murals, long considered a new form of urban regeneration. You can see enchanting works of street art by wandering through its narrow streets.

To date, the murals of Piano Vetrale are preserved as a heritage like the natural environment. Not surprisingly, the oldest works began to be restored recently. Moreover, every July, there is a contemporary art exhibition called Il Pennello d'Oro (The Golden Brush) articulated in different sections, including sculpture and photography.

Over the years, many artists from all over the world have realized the several Murals of Piano Vetrale. Precisely for this reason, walking through this Cilento village, you can observe different styles, techniques and narrative strands.

The Neapolitan school, for example, focuses on realism and depicts scenes of rural tradition as well as references to respect for the environment. On the other hand, the Sicilian school adopts the themes of the classic myths and an engaging explosion of colours. There are also more fanciful representations, such as fairy-tale characters with dreamlike traits, typical of the Franco-Provençal school.

Anyway, it really seems that the passion for art is at home here because in Orria, of which Piano Vetrale is the best known fraction, you can also find CilentoLab, a laboratory specialized in ceramics works that offers anyone the opportunity to practice this ancient technique, along with many other art forms. Let yourself be inspired by the magnificent murals and then test your creativity, in total relax, thanks to the many workshops or fun creative aperitifs organized by this creative lab, to experience first-hand all the charm of Italian handmade.

The murals are born as a form of urban art, but it is necessary to distinguish them from the technical and content point of view from the other representations of this genre. Works of street art such as graffiti, for example, primarily represent writings, signatures and, more generally, explosions of imagination of artists.

On the other hand, the murals are paintings on walls of private and public buildings, therefore considered a complete artistic representation. Generally, they tell a story or pursue causes of social struggles, denouncing hardships and abuses of the community.

Not surprisingly, this form of art has origins dating back to the beginning of the twentieth century, following the troubled years of the revolutions that have marked many European and non-European states.

In particular, the cultural phenomenon of murals was born in Mexico, where artists such as Diego Rivera used this technique to express political and social messages.

For Mexican artists, the murals represented a new way of communicating with the people, convinced that art should become a means of communication at the latter's service. At first, the unique artistic expression allowed artists to work on commission and suitably prepared spaces. Subsequently, it spread gradually in the neighbouring United States and reached worldwide, even if turned into a poor, anonymous and provocative art favouring collective composition.

In more recent times, murals have become a fundamental form of reclaiming urban spaces to use the art for direct and immediate mass communicative fruition.